Lines No. 3
Fine art giclée print created by Ana Frois exclusively for The Poster Club. Printed on 265 g natural art paper with a matt, uncoated finish and lightly textured surface, that ensures a rich and vibrant display of colours. Printed in Denmark.
Giclée is a printing technique used to attain intense, saturated colours as well as a greater variety of depth and nuances. Combined with the premium art paper, it guarantees archival conservation of colours for the highest possible age resistance.
Carefully wrapped in silk paper and packed in a protective cardboard tube. This art print comes with a white border around the motif. The sizes displayed, indicates the actual size of the art print including the white border.
Fits standard sized frames. The frame is not included.
Dimensions: 500x700mm
The Poster Club is a Copenhagen-based online emporium, offering a unique selection of high-quality posters and art prints from both upcoming and established artists.
Their inspiration comes from the trends in Nordic lifestyle, fashion and interior design, combining their roots in Copenhagen and the Scandinavian culture, with new and innovative technology in the creative industry.
Besides features in magazines and newspapers all over the world, The Poster Club is recommended by numerous leading interior and design blogs and is well respected for its unique selection and high-quality art prints.
With a degree in architecture, territory and memory from the University of Coimbra, and more than a decade of experience in the field of architecture, Portuguese artist Ana Frois has a solid foundation in the field of creation. Her roots are in architecture, but gradually she dedicated more and more of herself to drawing and visual arts.
“I do art because I want to make a record of how I see things. I am interested in reflections and duplications.”
Her work explores the ideas of the home, the record of the passage of time and the transformations of nature. Her keen eye is set on shapes and structures that may otherwise have been overlooked. This is evident in her art prints that depict both everyday interior objects and mesmerising abstract forms. It is in some way a presentation of pure form.